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www.iwantdcp.com is powered by production company FRENEL based in Greece. FRENEL provides specialised post-production services. You can simply upload your film and let us bother with DCP authoring and any other deliverable without hidden costs. It’s a simple procedure. You can choose the package of services that fits your needs, you proceed with payment, upload your film and after two working days, you will receive your film in the digital form you requested. You can also ask for physical mediums (CRU, HDD, USB thumb drive) to be shipped to you. If this all geek to you and you just need your film to play in cinema or broadcast, feel free to contact us. Behind our screen, you can find Dimitris Manousiakis and Orestis Psomopoulos.
DCPs and other deliverables are created by specialized technicians and not by an automated computer. We use the latest versions of professional hardware and software such as easyDCP creator+, player+, KDM generator+, calibrated Flanders Scientific monitor and a full equipped color grading suite. We perform Quality Control during all stages of production to achieve the maximum quality in every single film. www.iwantdcp.com can provide the most common export files along with your DCP file. We can export your movie on formats for broadcast, internet, or cinema. Choose among the available options or just contact us and we can arrange a budget-friendly quote for your special export needs. We are experienced in delivering multiple versions, transcoded files with proper file naming, versioning, detailed metadata, reports, and quality check by software and humans.
Digital Cinema Package (DCP) is the digital negative of a film, in high quality and includes the picture, audio, subtitles, and auxiliary data elements. Each one of these elements follows strict specifications and standards during authoring to ensure that the final DCP is compatible with any cinema screen and DCP server around the world.
DCP is the only digital solution that can achieve performance, reliability, and quality in screening compared to other file formats such as PRORES, MP4, or DVDs offering the same quality of image and sound across the world. There is an option for encryption and easy delivery through the internet offering privacy, security and availability 24/7 around the globe. Accessibility for disabled people is now available through DCP’s capability to deliver captions and video with signed language for hearing impaired people and audio description for visually impaired people. Last but not least you can always re-version your film. New subtitles, new sound mixing, festival credits, or distribution credits can now easily be added, edited, or removed without the need to replace the original copy. Logistics are now easier. Supported resolutions:
FULL HD = 1920x1080 2K for 1.85:1 FLAT = 1998x1080 2K for 2.39:1 SCOPE = 2048x858 4K for 1.85:1 FLAT = 3996x2160 4K for 2.39:1 SCOPE = 4096x1716 Supported framerates: SMPTE DCP conformity: 2K resolution 24, 25, 30, 48, 60 and 4K resolution 24, 25, 30fps InterOP DCP conformity: 2K resolution 24 and 48fps and 4K resolution 24fps Bit depth: 12 bits per color component (36 bit total), 4:4:4 Color space: DCI P3 (Gamma 2.6, D63 white point = 6300K), Color Model XYZ Compression: JPEG 2000 Image bit rate: VBR, max 250 Mbit/s Audio: 24 bits per sample, 48/96 kHz, up to 16 channels, broadcast WAV with uncompressed PCM Sound mix: Mono (1.0), (3.0) and surround (5.1, 7.1). Stereo (2.0) sound mix not suggested but still supported. Timed Text: Open Subtitles, Closed Subtitles, Open Captions, Closed Captions Accessibility track: Visual Impaired (VI) and Hearing Impaired (HI) Multiple reels, Multiple compositions, High Framerate (HFR), High Dynamic Range (HDR), 2D and 3D content, AES encryption. Good news! You can try our services for free. Choose the service “demo request” and we will render 15 seconds for you.
Student films, film schools, and festivals are eligible for big discounts. Bulk discounts on orders of 5 DCPs and more. Just contact us.
Yes, you can cancel your order as long as we haven’t uploaded the final files on the server and have your money back. If there is any mistake from our side we resolve it without extra cost. Money-back guarantee for 14 days after DCP delivery.
DCP files are delivered within 2 working days after receiving full payment and your film source files. If you need your DCP in an emergency, contact us to check the availability of faster delivery.
VAT 24% is not included. If you are a company located in European Union you are eligible for VAT exemption according to EU legislation. Please contact us to issue an invoice without VAT by providing all your billing information. Please check the following link for more info on invoices and VAT exemption form.
Color grading. We are experienced colorists. Please check our reel. Short and feature films, documentaries, and TVCs. We can also create dailies with LUTs and design and support your post-production workflow starting from pre-production.
Digital Mastering of your film and color manipulation to fit D-cinema, VoD, Broadcast, internet, etc. Deliverables. DCP is the best cinema deliverable but a movie always needs broadcast and internet transcodes. We can provide any additional deliverable of your film. IMF Interoperable Master Format. We support IMF if needed. IMF is an evolution of the Digital Cinema Package (DCP) architecture, providing a complete file interchange unit to the distribution channel. Our showreel is available here. A
AES Acronym for Advanced Encryption Standard AES Acronym for Audio Engineering Society AES3 Audio Engineering Society - Recommended Practice for Digital Audio Engineering Serial transmission format for two-channel linearly represented digital audio data ANSI Acronym for American National Standards Institute Answer Print A color-corrected film print made directly from the cut film negative. It is also the culmination of the creative color timing process, where final creative approval is granted before the film is duplicated for release API Acronym for Application Programming Interface |